It took months of working with this woman to find out that she was a ceramist. And when I finally saw her porcelain pieces, it all made perfect sense. As is always the case, an artist’s work is a direct reflection of the person she or he is, whether intentional or not. Charlotte’s work is quiet, elegant, unexpected. Her live-work studio made me a bit jealous; with the sunlight streaming in through the loft, I felt a sense of calm and an overwhelming desire to get to work. My admiration for her diligence only grew.
How did you get here? Why did you choose clay?
It was something to do while I couldn’t find a job, that was a frustrating time.
Do you remember the first time you worked with porcelain?
Yes, it’s because they were out of the stoneware that I normally buy. I’ve not used stoneware since I tried porcelain that day. Well, aside from my black clay.
What does a perfect day in the studio look like to you?
I mostly work in the studio on Thursdays and Fridays along with the time I have off during the weekend. A perfect day in the studio is when I can complete enough things that I feel satisfied when I have to go back to work on Monday. I enjoy sunny days with my big windows. I also enjoy days that start with coffee.
If you could pick one functional item to make for the rest of your life, what would it be and why?
Well, I’ve enjoyed making cups for the last year, so why not more cups. They’re almost instant gratification, and I enjoy using them as small canvases to do patterns on or experiments with new techniques.
